Jason deCaires Taylor’s underwater sculptures create a unique, absorbing and expansive visual seascape. Highlighting natural ecological processes, Taylor’s interventions explore the intricate relationships that exist between art and environment. His works become artificial reefs, attracting marine life, while offering the viewer privileged temporal encounters, as the shifting sand of the ocean floor, and the works change from moment to moment.Below you will find a small collection of his work. For more pictures and extensive details on each project, the Sifter highly recommends Jason deCaires official site. Enjoy!
JASON DECAIRES TAYLOR: ARTIST BIO
Jason deCaires Taylor is a man of many identities, whose work resonates with the influences of his eclectic life. Growing up in Europe and Asia with his English father and Guyanese mother nurtured his passion for exploration and discovery. Much of his childhood was spent on the coral reefs of Malaysia where he developed a profound love of the sea and a fascination with the natural world.
This would later lead him to spend several years working as a scuba diving instructor in various parts of the globe, developing a strong interest in conservation, underwater naturalism and photography. His bond with the sea remains a constant throughout Taylor’s life though other key influences are found far from the oceans. During his teenage years, work as a graffiti artist fired his interest in the relationship between art and the environment, fostering an ambition to produce art in public spaces and directing the focus of his formal art training.
He graduated in 1998 from the London Institute of Arts, with a B.A. Honours in Sculpture and Ceramics. Later, experience in Canterbury Cathedral taught him traditional stone carving techniques whilst five years working in set design and concert installations exposed him to cranes, lifting, logistics and completing projects on a grand scale.With this range of experiences he was equipping himself with the skills required to execute the ambitious underwater projects that have made his name. Carving cement instead of stone and supervising cranes while in full scuba gear to create artificial reefs submerged below the surface of the Caribbean Sea, the various strands of his diverse life resolve themselves convincingly in the development of his underwater sculptures. These ambitious, public works have a practical, functional aspect, facilitating positive interactions between people and fragile underwater habitats.
Jason deCaires Taylor has gained significant interest and recognition for his unique work, with features in over 1000 publications around the world, including National Geographic, Vogue, USA today, the BBC, and CNN and he has made several TV appearances.His international reputation was established in May 2006, when he created the world’s first underwater sculpture park in Grenada, West Indies, leading to both private and public commissions. Taylor is currently founder and Artistic Director of the Museo Subacuático del Arte (MUSA) in Cancun, Mexico.
JASON DECAIRES TAYLOR’S ‘VICISSITUDES’
Vicissitudes depicts a circle of figures, all linked through holding hands. These are life-size casts taken from a group of children of diverse ethnic background. Circular in structure and located five meters below the surface, the work both withstands strong currents and replicates one of the primary geometric shapes, evoking ideas of unity and continuum.
JASON DECAIRES TAYLOR’S ‘THE LOST CORRESPONDENT’
The Lost Correspondent depicts a man sitting at a desk with a typewriter. The desk is covered with a collection of newspaper articles and cuttings that date back to the 1970s. Many of these have political significance, a number detail Grenada’s alignment with Cuba in the period immediately prior to the revolution. The work informs the rapid changes in communication between generations. Taking the form of a traditional correspondent, the lone figure becomes little more than a relic, a fossil in a lost world.
ASON DECAIRES TAYLOR’S ‘GARDENER OF HOPE’
La Jardinera de la Esperanza (the gardener of hope), depicts a young girl lying on garden patio steps, cultivating a variety of plant pots. The sculpture is sited four metres beneath the surface Punta Nizuc, Cancun. The pots are propagated with live coral cuttings rescued from areas of the reef system damaged by storms and human activity. This technique, a well-established procedure in reef conservation, rescues damaged coral fragments by providing a suitable new substrate.
The sculpture, a synthesis between art and science, conveys a message of hope and prosperity, portraying human intervention as positive and regenerating. The young Girl symbolizes a new, revitalized kinship with the environment, a role model for future generations.The interaction between the inanimate and living forms highlights a potential symbiotic relationship with the life systems of the underwater world. Over the past few decades we have lost over 40% of our natural coral reefs. Scientists predict a permanent demise of 80% by 2050. The Gardner of Hope is designed to focus attention on this important, often forgotten, ecological issue. Built into the base of the sculpture are specialized habitat spaces designed to encourage individual types of marine creatures such as moray eels, juvenile fish and lobsters.